Gerald Saul: Art Gallery Exhibitions and Visual Art publications.
Dunlop Art Gallery, three short films exhibited in the Saskatchewan Gothic Film Series from January 16 to February 5, curated by Dr. Christine Ramsay (Department of Film) and Elizabeth Matheson (Strandline Curatorial Collective).
Art Gallery of Regina (Regina, Saskatchewan) Anecdotal Evidence: The Work of Gerald Saul, curated by the Strandline Collective (Christine Ramsay, Elizabeth Matheson), solo retrospective, July 7 - August 27.
MacKenzie Art Gallery (Regina), group show curated by Jeff Nye, installation of Grain film project, 16mm on blue ray, 22 minutes.
Dunlop Art Gallery (Sherwood Branch, Regina) No Story Too Small to Trade curated by the Regina Artist Trading Card Collective, Rerun: The Misadventures of Canister the Robot from Belion 7, set of six photo collage images, 2.5" x 3.5". This exhibition was also toured through OSAC to numerous Saskatchewan centres between 2011 and 2014.
Saw Video (Ottawa) The Golem of Socks, Independent Online Webcast (www.sawvideo.com)
MacKenzie Art Gallery Fine Arts Faculty Show, curated by Tim Long, two month installation of “Life Is Like Lint”, 16mm on video, 80 minutes.
Dunlop Art Gallery The Revenge of Super-8 curated by Su Ditta, three month installation of “Twenty Five Short Films In and About Saskatchewan”, super-8 on video, 80 minutes.
Neutral Ground Art Gallery and Artist Run Centre (Regina) Persistent Visions, an eleven day site specific public space installation of thirty film loops. Two artist show, (second artist in separate venue) curated by Neutral Ground Programming Committee.
MacKenzie Art Gallery (Regina), April 27 to September 1, group show, Artist trading cards 10th anniversary exhibition "The Collaborative Decade: Celebrating 10 Years of ATCs in Regina".
Invited by Rob Bos to install selection of recent videos as an installation at the Art Projects Gallery, Regina (January 27-February 10).
Artist trading card series. (Note: these represent a visual art practice but not a publication or gallery practice).
Untitled Golem of Socks series (9 two-sided cards, each 2.5"x3.5"), collaboration with Margaret Bessai, 2005.
Untitled Golem of Socks situated series of tin-cut buildings with magnets (6 x 2.5"x3.5"), 2006.
Neutral Ground, CD Art fundraising show, "Romeo Rooster", medium: paint/transparency collage, size: 5”x5.5”.
Neutral Ground, Ethni-City, two untitled 4”x6” paper collages.
Neutral Ground, CD Art fundraising show, "Celluloid Rooster", medium: transparency collage, size: 5”x5.5”.
Neutral Ground, 10th Anniversary member's show, two untitled works, photography/metal, size 24”x24”.
Splice Magazine cover, published by Saskatchewan Filmpool Co-operative, November, 1991.
Neutral Ground, Last Dance Mail Art Show, two untitled photocopy artworks, size 8.5”x11”. If these were returned to me, I do not know what happened to them. As I recall, they were made up of images enlarged repeatedly with a photocopier
to the point that they were nothing but a texture.
This is a portable suitcase cinema built in 2016 during the Caligari Project. I have used it to exhibit short films in loops for single viewers. It contains a video projector, mirrors, glass, a speaker, a metal parabolic cone to enhance the sound, and a set of viewing goggles.
This is the name I've given to my small yellow garage behind my house on Argyle Street where I have allowed young artists to exhibit installation art work. The first of these, under this name, was "Stereobscura" by MFA student Geremy Lague in which dual camera obscuras were accompanied by a short performance. This was mounted on June 24, 2013.